Sunday, October 11, 2009

Drupal

Although Drupal is often described as a "content management system" (CMS) it is also a "content management framework" (CMF). In other words, unlike a typical CMS, it is geared more towards configurability and customization. Picture a range of measurement where one end of the scale is labeled “specific” and the other end “abstract”. On the “specific” end of the spectrum, you would have something whose form is very specialized because it’s meant for a specific purpose—like, say, a hammer. On the other end of the spectrum, you would have something much more abstracted, that is available to be configured any way you like, for a variety of purposes—like some wood and a chunk of steel. You could make a hammer, or any number of other things with the wood and steel.

Of course, while chunks of wood and steel are more “configurable” than a hammer, they aren’t terribly useful because few people have the specialized knowledge to work with such raw materials. Drupal’s purpose is to sit in the sweet spot between the two ends of the scale, and create a sort of “builder’s kit” made up of pre-designed components that can be used as-is or can be extensively reconfigured to suit your needs. Its design provides incredible flexibility while still allowing people who aren’t programmers to make powerful websites. This principle of manageable abstraction is important to understand, because it is a central concept to all things Drupal. When you understand why a measured amount of abstraction is valuable, you’ll begin to understand why this approach is such a strong argument for using Drupal.


The power of abstraction

Imagine you get yourself a shiny new toy truck and a matching toy boat, and as you are enjoying them, you find yourself thinking about how nice it would be if you had a toy that had certain “truck-like” qualities, and certain “boat-like” qualities. But, unfortunately, your truck and boat are firmly rooted at the “specific” end of the toy spectrum. They are what they are, you must enjoy them as-is.

Now, imagine that someone hands you a case full of neatly arranged little toy vehicle parts organized according to type. They explain that this “vehicle construction kit” will allow you to snap together whatever sort of toy vehicle you like, with the ability to choose different body types, varied cockpits, and multiple propulsion mechanisms—lots of jets, propellers, wheels, tank treads, etc. Now, your truck/boat dream can become a reality. And, as you look at all the shiny new bits, you realize that a truck/boat is just the beginning.

Many popular content management systems are focused on a fixed, particular way of approaching the task of managing a website—they tend toward the “specific” end of our spectrum. While they may use various plug-ins to extend that functionality, the plug-ins are often authored in the same manner—they are very fixed in their task-oriented approach to getting things done. Drupal, on the other hand, with this idea of abstraction embedded in its DNA, is intentionally generalized in its approach to doing things. For instance, instead of creating a fixed “news engine,” Drupal provides systems and tools that allow you to quickly assemble your own custom news engine and tweak it to do exactly what you like. But because these systems and methods are generalized in their approach, they don’t lock you into just news-related things—you can use them to make all sorts of other “engines” and functional widgets. This means that once you learn some of the key tools within the Drupal universe, you will realize that you can endlessly combine them to do all sorts of clever things you (and the Drupal system/plugin creators) may never have imagined before.

A concrete example might go something like this: Say you want to have a news engine that lets you post news articles on your site, and you want to be able to put a little widget on the homepage that shows blurbs for the five most recent news stories. Next, you decide that you want to keep track of recent blog posts, and put a running list of blurbs of the five most recent of those on the homepage as well. With a CMS whose paradigm is rooted more on the “specific” end of the spectrum, you’d likely look for a module that handled news, and had a feature that let you put blurbs on the homepage (not an uncommon thing). Next, you’d locate a module that would track the latest blog posts and put a list of those on the homepage (again, not unlikely to find such a thing). Each module would concentrate on tracking, managing and displaying the information it handles.

But, what happens when you have that brilliant middle-of-the-night idea, and want to blend these two functions by showing a list of blog posts about the latest news items, ordered by most-active-contributor first? If you’re using a “toy truck” CMS, you may be out of luck, or need to hire a developer to write you something custom. But with a CMF that’s built around the idea of abstraction, you can whip out your kit full of parts and knock this together pretty quickly. The advantage of an architecture like Drupal’s is that the generalization and standardization in how it does things means that building all sorts of clever, customized site functions is just a matter of snapping parts together. And, to return to our toy metaphor, we aren’t talking about those shabby, knobbed blocks that let you create only rough approximations of the things you want—Drupal’s flexibility is layered, and it gives you highly granular control over nearly every aspect of what you’re building.

Of course, this flexibility comes at a certain cost. While a toy truck is instantly understandable and ready to use without much thought, a modular vehicle construction kit will by nature require you to read the instruction manual first. Keep in mind, this is not about building from scratch, it’s about learning how to connect modules and systems that are already available to create articulate, customized websites.

Drupal has been intentionally kept flexible enough that its power, and the means of accomplishing certain tasks are not immediately evident to those unfamiliar with it. However, after investing a little time, you will find that learning how to do things the Drupal way opens up a whole new world of possibility you never knew existed outside of custom programming. You will likely leave your toy truck and boat in the closet gathering dust.

How Drupal does it

As explained above, Drupal’s power comes from its more abstracted approach to handling web content and functionality. People often think of a website as a collection of pages, with some functions (like a blog, or a news engine) thrown in to round it out. When they go to manage their site, they are thinking in terms of a tree-like hierarchy of pages that they will go in and edit.

Drupal, on the other hand, treats most content types as variations on the same concept: a node (more on these in a moment). Pages, blog posts and news items (some possible node types) are all stored in a common pool, and the sitemap (its information architecture) is an overlay that is designed separately by managing and editing navigation menus. It’s a lot like the separation you find in standards-compliant page coding—XHTML provides the meaningful structure of the information, while CSS arranges it for presentation. In Drupal, nodes hold the structured information pertaining to a blog post (such as title, content, author, date) or a news item (title, content, go-live date, take-down date), while the menuing system creates the sitemap as a separate layer. Other elements (node layout themes, and modules like Views and Panels) provide the onscreen display of node contents.

The beautiful thing about keeping these layers separate, is that it’s simple to provide completely remixed sitemaps for different user types just by serving them a different navigation menu based on their login information. Pages can be grouped differently, prioritized in a different order based on user needs, and various functions and content can be shown or hidden on a per-user-type basis. It just depends on the experience you want to create.

OK, so what exactly is a node? At its most basic, a node is a cluster of related bits of data. When you create a new blog post, you are actually creating a collection of things such as title, content, author link, creation date, etc. Some of these data points hold information that is displayed when the node is displayed. Others hold meta-data that describes important facts about the node (such as the category).

By keeping all nodes in one big “bucket” instead of segregating them out into separate systems, Drupal ensures that they are all built on the same foundation, and can be handled in the same way. This means that they can all be remixed with down-to-the-pixel control over how they are displayed, and their data points can be used and combined together to organize, search and relate nodes with other nodes. This flexibility makes for some powerful possibilities.

Again, because the idea of abstraction is built into the Drupal paradigm, instead of creating specialized solutions for each and every little thing someone might want to do, systems and methodologies have been built to handle more generalized tasks, and then threaded throughout the entire CMF. These more generalized ways of doing things mean that once you learn how to use a particular methodology, you can use it in all sorts of places, and begin to string things together in inventive new ways.

As an example, let’s go back to that idea of remixing a site based on what type of user a visitor is. This concept is threaded throughout Drupal, so not only do you get to customize the sitemap based on user type, but you can show or hide blocks (chunks of data usually set in a sidebar, often the result of some kind of output, like our previous top five news blurbs example), change the site skin, and even shift how node information is displayed and whether a user can comment on a particular node. All of this and more can be switched around on-the-fly based on how a visitor identifies herself.

And a note about comments: this is another illustration of Drupal’s generalized approach to things. Comments aren’t just part of the blog system, since there really isn’t a segregated “blog system.” Comments are their own thing, and the ability to leave comments can be “snapped onto” blog posts, news items, book pages (a sort of wiki-like environment) and all sorts of other node types—even ones you custom-create.




Thursday, September 17, 2009

Thiruvananthapuram


Thiruvananthapuram city and several other places in the district loom large in ancient tradition, folklore and literature. South Kerala, particularly the Thiruvananthapuram district, had in the early past a political and cultural history which was in some respect independent of that of the rest of Kerala. The Ays were the leading political power till the beginning of the 10th century A.D. The disappearance of the Ays as a major political power, synchronised with the emergence of the rulers of Venad.

In 1684, during the regency of Umayamma Rani, the English East India Company obtained a sandy spit of land at Anchuthengu (Anjengo) on the sea coast about 32 km's north of Thiruvananthapuram city, with a view to erecting a factory and fortifying it. The place had earlier been frequented by the Portuguese and later by the Dutch. It was from here that the English gradually extended their domain to other parts of Thiruvithamcore (Travancore).

History

Modern history begins with Marthanda Varma, who is generally regarded as the Father of modern Travancore (1729-1758 AD). Thiruvananthapuram was known as a great centre of intellectual and artistic activities in those days. The accession of Maharaja Swathi Thirunal (1829-1847 AD) ushered in an epoch of cultural progress and economic prosperity.

The beginning of English education was made in 1834 by opening an English school at Thiruvananthapuram. In 1836, an observatory and a charity hospital were established at Thiruvananthapuram. During the reign of Ayilyam Thirunal (1860-1880), a fully equipped Arts College was started besides several English, Malayalam and Tamil schools. A large hospital with a lying-in-hospital and a lunatic asylum was also established. In 1873, the University College was opened. It was during the reign of Sri Moolam Thirunal (1885-1924), that the Sanskrit College, Ayurveda College, Law College and a second grade College for Women were started at Thiruvananthapuram. A department for the preservation and publication of oriental manuscripts was also established. One of the significant measures associated with Shri Moolam Thirunal’s reign was the inauguration of the Legislative Council in 1888. This was the first legislative chamber, instituted in an Indian State.

In 1904, the Shri Moolam Assembly came into being. The activities of the Indian National Congress echoed in Thiruvananthapuram and other parts of Kerala during the reign of Shri Moolam Thirunal. In 1938, a political conference of the Congress was held in the city under the presidency of Dr. Pattabi Sitaramaiah.

The period of Maharaja Shri Chithira Thirunal Bala Rama Varma who took the reigns of administration in 1931, witnessed many-sided progress. The promulgation of the Temple Entry Proclamation (1936) was an act that underlined social emancipation. In 1937, a separate University for Travancore was started. This was later redesigned as University of Kerala, following the formation of Kerala State in 1956.

With the accession of Travancore to the Indian Union after Independence, the policy of the State Government as well as the political atmosphere underwent radical changes. The first popular ministry headed by Sri.Pattom A.Thanu Pillai was installed in office on 24th March, 1948. Consequent on the recommendations of the State Reorganization Commission, the four southern taluk's of Thovala, Agasheeswaram, Kalkulam and Vilavancode were merged with Tamil Nadu. The State of Kerala came into being on November 1, 1956

Thiruvananthapuram also known as Trivandrum, is the capital of the Indian state of Kerala and the headquarters of the Thiruvananthapuram District. It is located on the west coast of India near the extreme south of the mainland. Referred to by Mahatma Gandhi as the "Evergreen city of India", the city is characterized by its undulating terrain of low coastal hills and busy commercial alleys. With almost 745,000 inhabitants per the 2001 census, it is the largest and most populous city in Kerala; the wider urban agglomeration having a population of about one million.

The city is the state capital and houses many central and state government offices, organizations and companies. Apart from being the political nerve centre of Kerala, it is also a major academic hub and is home to several educational institutions including the University of Kerala, and to many science and technology institutions, the most prominent being the Vikram Sarabhai Space Centre (VSSC), Technopark and IIST.

Thiruvananthapuram being the capital of Kerala, has one or other religious, state or tourist festivals celebrated every now and then throughout the year.

[-- The Village Fair --]
An entire village of the bygone days of rural Kerala is recreated with artisans, Nalukettu (traditional house), temple, astrologer etc., so that the visitors will be able to see and visualize how people of Kerala in those days went about their lives. The festival lasts for a week from 3rd January. The village is set near Kovalam with displays of cultural performances like kathakali, koodiyattam, kalaripayattu, theyyam etc.

[-- Food Festival --]
The festival is conducted during the 2nd week of February. Specialized chefs stalls for each state. Spread through seven evenings, one can taste almost all types of delicacies of Indian cuisine from various regions of India. Those prepared are even sold. It will be worthwhile to have a go at the dishes from Kashmir to Kanyakumari.

[-- Nishagandhi Dance Festival --]
The Tourism Development Corporation organises the dance festival. Leading artists of Bharatanatyam, Mohiniyattam, Kathak, Odissi, Modern ballet and other folk form will perform at the open-air theatre of Nishagandhi in the Kanakakunnu Palace compound. Admission is free and the festival usually is accompanied with music.

[-- Vetta and Arattu --]
This festival is celebrated twice in a year, once in Oct.-Nov and other in March-April. Vetta represents Lord Vishnu hunting down the demon of evil in the forest. The next day afternoon the Arattu procession begins. Images of Lord Padmanabha, Lord Krishna and Lord Narasimha are carried to the Arabian Sea at Sangumugham beach escorted by the members of the Royal Family. At sunset the images are ritually bathed in the sea. Returning the images in a procession back to the Padmanabhaswamy temple concludes the event. Several cultural programs including all-night Kathakali are performed during the festival.

[-- Attukal Pongala --]
Attukal Pongala is celebrated between 18-26 of February, every year, at Attukal Bhagavati Temple. It is a ten-day festival. On the 9th day, thousands of women devotees from many parts of the state gather in the vicinities of the temple to prepare pongala, a favourite offering to the goddess. They prepare pongala by cooking jaggery, coconut and banana in certain proportions and offer to the goddess. The ritual starts early morning and ends by afternoon. The uniqueness of the festival is that only women are allowed to do the offerings on that day.

Materials and loans

The exhibition will showcase a wide range of construction materials, interior and exterior decorative items and other related products. Different types of building projects and home loans will also be featured.

Design World 2008 will also include a series of seminars and workshops. Experts in the respective fields will speak at these programmes.

“The aim of this exhibition is to bring customers, architects, technical experts and builders to a common platform. Many products at the expo are being introduced in the city for the first time,” said B. Sudhir, chairman of Indian Institute of Architects,Thiruvananthapuram.

Amodel of a three-bedroom house built in three cents will be an attraction. Visitors will be able to avail the plan and approximate cost of similar houses by consulting with the architects at the expo.

An architects’ help desk will also be set up at Design World 2008 to enable visitors to interact with experts. The architects will provide suggestions on planning, construction as well as use of materials depending on the taste of the customers.

Design World 2008 will be inaugurated by Crime Branch IG Padmakumar.

Kerala, one of the most idyllic states of India, lies to the extreme southwest of Indian peninsula. It is flanked by the Arabian Sea on the west and the mountain ranges of the Western Ghats on the east. The state can be divided into hills, valleys, midland plains and coastal belts. Formed in the year 1956, it has 14 districts withThiruvananthapuram as its capital.



The economy of Keralais primarily agrarian in nature. Some of the key crops of Kerala are tea, coffee, rubber, cashew, cardamom, pepper and cinnamon. Its service sector is booming with financial companies, real estate agencies, mortgage companies, consultancy services, insurance companies and tourism industry.

The present Ernakulam District include Paravur, Aluva, Kochi, Kanayannoor, Muvattupuzha, Kunnathunadu, Kothamangalam Taluks which come under Fortkochi and Muvattupuzha Revenue Sub Division. Prior to the formation of Idukki District, Thodupuzha Taluk was also a part of Ernakulam District. Ernakulam District was formed on April 1st1958. The District which has an area of 895.3Sq.K.M. can be divided geographically as Highland, Midland and Coastal area. The altitude of Highland is about 1000 feet.

Tuesday, September 15, 2009

Thiruvananthapuram


Thiruvananthapuram city and several other places in the district loom large in ancient tradition, folklore and literature. South Kerala, particularly the Thiruvananthapuram district, had in the early past a political and cultural history which was in some respect independent of that of the rest of Kerala. The Ays were the leading political power till the beginning of the 10th century A.D. The disappearance of the Ays as a major political power, synchronised with the emergence of the rulers of Venad.

In 1684, during the regency of Umayamma Rani, the English East India Company obtained a sandy spit of land at Anchuthengu (Anjengo) on the sea coast about 32 km's north of Thiruvananthapuram city, with a view to erecting a factory and fortifying it. The place had earlier been frequented by the Portuguese and later by the Dutch. It was from here that the English gradually extended their domain to other parts of Thiruvithamcore (Travancore).

History

Modern history begins with Marthanda Varma, who is generally regarded as the Father of modern Travancore (1729-1758 AD). Thiruvananthapuram was known as a great centre of intellectual and artistic activities in those days. The accession of Maharaja Swathi Thirunal (1829-1847 AD) ushered in an epoch of cultural progress and economic prosperity.

The beginning of English education was made in 1834 by opening an English school at Thiruvananthapuram. In 1836, an observatory and a charity hospital were established at Thiruvananthapuram. During the reign of Ayilyam Thirunal (1860-1880), a fully equipped Arts College was started besides several English, Malayalam and Tamil schools. A large hospital with a lying-in-hospital and a lunatic asylum was also established. In 1873, the University College was opened. It was during the reign of Sri Moolam Thirunal (1885-1924), that the Sanskrit College, Ayurveda College, Law College and a second grade College for Women were started at Thiruvananthapuram. A department for the preservation and publication of oriental manuscripts was also established. One of the significant measures associated with Shri Moolam Thirunal’s reign was the inauguration of the Legislative Council in 1888. This was the first legislative chamber, instituted in an Indian State.

In 1904, the Shri Moolam Assembly came into being. The activities of the Indian National Congress echoed in Thiruvananthapuram and other parts of Kerala during the reign of Shri Moolam Thirunal. In 1938, a political conference of the Congress was held in the city under the presidency of Dr. Pattabi Sitaramaiah.

The period of Maharaja Shri Chithira Thirunal Bala Rama Varma who took the reigns of administration in 1931, witnessed many-sided progress. The promulgation of the Temple Entry Proclamation (1936) was an act that underlined social emancipation. In 1937, a separate University for Travancore was started. This was later redesigned as University of Kerala, following the formation of Kerala State in 1956.

With the accession of Travancore to the Indian Union after Independence, the policy of the State Government as well as the political atmosphere underwent radical changes. The first popular ministry headed by Sri.Pattom A.Thanu Pillai was installed in office on 24th March, 1948. Consequent on the recommendations of the State Reorganization Commission, the four southern taluk's of Thovala, Agasheeswaram, Kalkulam and Vilavancode were merged with Tamil Nadu. The State of Kerala came into being on November 1, 1956

Thiruvananthapuram also known as Trivandrum, is the capital of the Indian state of Kerala and the headquarters of the Thiruvananthapuram District. It is located on the west coast of India near the extreme south of the mainland. Referred to by Mahatma Gandhi as the "Evergreen city of India", the city is characterized by its undulating terrain of low coastal hills and busy commercial alleys. With almost 745,000 inhabitants per the 2001 census, it is the largest and most populous city in Kerala; the wider urban agglomeration having a population of about one million.

The city is the state capital and houses many central and state government offices, organizations and companies. Apart from being the political nerve centre of Kerala, it is also a major academic hub and is home to several educational institutions including the University of Kerala, and to many science and technology institutions, the most prominent being the Vikram Sarabhai Space Centre (VSSC), Technopark and IIST.

Thiruvananthapuram being the capital of Kerala, has one or other religious, state or tourist festivals celebrated every now and then throughout the year.

[-- The Village Fair --]
An entire village of the bygone days of rural Kerala is recreated with artisans, Nalukettu (traditional house), temple, astrologer etc., so that the visitors will be able to see and visualize how people of Kerala in those days went about their lives. The festival lasts for a week from 3rd January. The village is set near Kovalam with displays of cultural performances like kathakali, koodiyattam, kalaripayattu, theyyam etc.

[-- Food Festival --]
The festival is conducted during the 2nd week of February. Specialized chefs stalls for each state. Spread through seven evenings, one can taste almost all types of delicacies of Indian cuisine from various regions of India. Those prepared are even sold. It will be worthwhile to have a go at the dishes from Kashmir to Kanyakumari.

[-- Nishagandhi Dance Festival --]
The Tourism Development Corporation organises the dance festival. Leading artists of Bharatanatyam, Mohiniyattam, Kathak, Odissi, Modern ballet and other folk form will perform at the open-air theatre of Nishagandhi in the Kanakakunnu Palace compound. Admission is free and the festival usually is accompanied with music.

[-- Vetta and Arattu --]
This festival is celebrated twice in a year, once in Oct.-Nov and other in March-April. Vetta represents Lord Vishnu hunting down the demon of evil in the forest. The next day afternoon the Arattu procession begins. Images of Lord Padmanabha, Lord Krishna and Lord Narasimha are carried to the Arabian Sea at Sangumugham beach escorted by the members of the Royal Family. At sunset the images are ritually bathed in the sea. Returning the images in a procession back to the Padmanabhaswamy temple concludes the event. Several cultural programs including all-night Kathakali are performed during the festival.

[-- Attukal Pongala --]
Attukal Pongala is celebrated between 18-26 of February, every year, at Attukal Bhagavati Temple. It is a ten-day festival. On the 9th day, thousands of women devotees from many parts of the state gather in the vicinities of the temple to prepare pongala, a favourite offering to the goddess. They prepare pongala by cooking jaggery, coconut and banana in certain proportions and offer to the goddess. The ritual starts early morning and ends by afternoon. The uniqueness of the festival is that only women are allowed to do the offerings on that day.

Materials and loans

The exhibition will showcase a wide range of construction materials, interior and exterior decorative items and other related products. Different types of building projects and home loans will also be featured.

Design World 2008 will also include a series of seminars and workshops. Experts in the respective fields will speak at these programmes.

“The aim of this exhibition is to bring customers, architects, technical experts and builders to a common platform. Many products at the expo are being introduced in the city for the first time,” said B. Sudhir, chairman of Indian Institute of Architects,Thiruvananthapuram.

Amodel of a three-bedroom house built in three cents will be an attraction. Visitors will be able to avail the plan and approximate cost of similar houses by consulting with the architects at the expo.

An architects’ help desk will also be set up at Design World 2008 to enable visitors to interact with experts. The architects will provide suggestions on planning, construction as well as use of materials depending on the taste of the customers.

Design World 2008 will be inaugurated by Crime Branch IG Padmakumar.

Kerala, one of the most idyllic states of India, lies to the extreme southwest of Indian peninsula. It is flanked by the Arabian Sea on the west and the mountain ranges of the Western Ghats on the east. The state can be divided into hills, valleys, midland plains and coastal belts. Formed in the year 1956, it has 14 districts with Thiruvananthapuram as its capital.



The economy of Keralais primarily agrarian in nature. Some of the key crops of Kerala are tea, coffee, rubber, cashew, cardamom, pepper and cinnamon. Its service sector is booming with financial companies, real estate agencies, mortgage companies, consultancy services, insurance companies and tourism industry.

The present Ernakulam District include Paravur, Aluva, Kochi, Kanayannoor, Muvattupuzha, Kunnathunadu, Kothamangalam Taluks which come under Fortkochi and Muvattupuzha Revenue Sub Division. Prior to the formation of Idukki District, Thodupuzha Taluk was also a part of Ernakulam District. Ernakulam District was formed on April 1st1958. The District which has an area of 895.3Sq.K.M. can be divided geographically as Highland, Midland and Coastal area. The altitude of Highland is about 1000 feet.

MT VASUDEVAN NAIR

popularly known as MT, is a renowned author, and . He was born on July 15, 1933 inr,ters in modern Malayalam literature. His novels, short stories and screenplays speak of the pain and anguish of the Kerala society in the post independence India. He has won the our times. The essence of his work is self-suffering and its emotional intensity holds the readers captivated. The story of Kudallur village andre the most repeated and favourite theme. He explores the silences in life, in the folk tales of forgotten heroes and in the legends of warriors from epics forever retol

Responsibilities

A film director is responsible for overseeing every creative aspect of a film. They develop a vision for a film, decide how it should look, what tone it should have, and what an audience should gain from the cinematic experience. He/she is in short the storyteller. Film directors are responsible for approving every camera angle, lens effect, lighting, and set design occasionally even taking part in the hiring of key crew members. They coordinate the actors moves, determine camera angles, and may be involved in the writing, financing, and editing of a film.

The director works closely with the cast and crew to shape the film and may often take suggestions on pertinent issues. Some like to conduct rigorous rehearsals in preproduction while others do so before each scene. In either case this process is essential as it tells the director as well as other key members of the crew (Director of Photography, Stunt Choreographer, Hair Stylist etc) how the actors are going to play the scene, wto set up camera angles.

The Director also plays a key role in post-production. The Director oversees the editing of the scenes with the editor to ensure that the emotions of the scene and the close ups, mid shots and wide shots appropriately reflect which character is driving the scene. The Director also inputs into the (colour) grading of the final images adding warmth or frigidity to the composition of the scenes to reflect the emotional subtext of the character or environment. The Director also participates in the sound mix and musical composition of the film.

Major works

Novels

  • Manju (Mist)
  • Kalam (Time)
  • Nalukettu (Ancestral House)
  • Asuravithu (Seed of the Demon)
  • Vilapayathra (The Funeral Procession)
  • Pathiravum Pakalvelichavum (Midnight and Daylight)
  • Arabipponnu (The Gold of Arabia, written with N. P. Muhammed)
  • Randamoozham
  • Varanasi (Benares)

Stories

  • Iruttinte Atmavu (The Soul of the Darkness)
  • Olavum Theeravum (Ripple and Shore)
  • Kuttyedathi
  • Varikkuzhi (The Trap)
  • Pathanam (The Fall)
  • Bandhanam (The Binding)
  • Swargam Thurakkunna Samayam (The Time When Heaven Opens)
  • Ninte (Yours)
  • Vanaprastham
  • Dar-es-salam
  • Raktham Puranda Mantharikal
  • Veyilum Nilavum (The Sunlight and Moonlight)
  • Kaliveedu
  • Vedanayude Pookkal (The Flowers of Sorrow)
  • Sherlock

Screenplays

  • Olavum Theeravum
  • Murappennu
  • Nagarame Nanni
  • Asuravithu
  • Pakalkkinavu
  • Iruttinte Atmavu
  • Kuttiyedathi
  • Oppol
  • Edavazhiyile Poocha Mindapoocha
  • Evideyo Oru Shatru
  • Ennu Swantham Janakikkuttikku (based on the short story Cheriya cheriya bhookampangal)
  • Vellam
  • Panchagni
  • Nakhakshatangal
  • Amritam Gamaya
  • Aaroodam
  • Allkottathil Thaniye

  • Uyarangalil
  • Rithubhedam
  • Vaishaali

  • Utharam

  • Sukrutham

  • Teerthadanam (based on his story Vanaprastham)
  • Aaranyakam


  • Oru cheru punjiri

Films and Documentaries

  • Nirmalyam (Offerings, 1973)
  • (Documentary, 1977)
  • Bandhanam (Bounding Ties, 1978)
  • Manju (Mist, 1982)
  • Varikuzhy (The Trap, 1982)
  • (Ferry, 1991)
  • Oru Cheru Punchiri (A slender smile, 2000)


CALSSICS

Scarlett is a woman who can deal with a nation at war, Atlanta burning, the Union Army The Incrediblescarrying off everything from her Thinkalaazhcha nalla divasam beloved Tara, the carpetbaggers who arrive after the war. sholayScarlett is beautiful. She has vitality. But Ashley, the man she has wanted for Devasuramso long, is going to marry his placid cousin, Melanie. Mammy warns Scarlett to behave herself at the party at Twelve Oaks. There is a new man there that day, the day the Civil War begins. Rhett Butler. Scarlett does not know he is in the room when she pleads with Ashley to Oru Vadakan Veeragadhachoose her instead of Melanie.perumthachan Written b

This classic film narrates the love between Scarlett O'Hara and Rhett Butler during the American civil war. It's the history of a selfish woman who doesn't want to Slumdog Millionaire admit her feelings about the mansholay she loves, and finally loses him. Written by

The epic tale of a woman's life during one of the most tumultuous periods in America's history. From her young, innocent perumthachandays on a feudalistic plantation to the war-torn streets of Atlanta;Oru Vadakan Veeragadha from her first love whom she has always desired to three husbands; from the utmost luxury to absolute starvation and poverty; from her innocence to her understanding and thoovana thumbikalcomprehension of life.

Scarlett is a Thinkalaazhcha nalla divasam woman who can deal with a nation at war, Atlanta burning,perumthachan the Union Army carrying off everything from her beloved Tara, theThe Incrediblescarpetbaggers who arrive after the war. Scarlett is beautiful. SheSlumdog Millionaire has vitality. But Ashley, the man she has wanted for so Devasuram long, is going to marry his placid cousin, Melanie. Mammy warns Scarlett to behave herself at the party at Twelve Oakssholay. There is a new man there that day, theOru Vadakan Veeragadha day the Civil War begins. Rhett Butler. Scarlett does not know he is in the room when she pleads with Ashley to choose her instead of Melanie. Written by

This classic film narrates the love between sholayScarlett O'Hara and Rhett Butler during the Thinkalaazhcha nalla divasam American civil war. It's the history of a selfish woman who doesn't want to admit her feelings about the man she loves, and finally loses him. Written

The The Incredibles epic tale of a woman's life during one of the Devasuram most tumultuous thoovana thumbikalperiods in America's history. From her young, innocent days on a feudalistic plantation to the war-torn streets of Atlanta; from her first love whom she Oru Vadakan Veeragadha has always desired to three husbands; from the perumthachanutmost luxury to absolute starvation and poverty; from her innocence to her understanding and comprehension of life.

MOHAN LAL

Golden Era - 1986 to 1995

The period (1986 - 1995) is widely regarded af Malayalam cinema with films characterised by detailed screenplays, lucid narration and fresh ideas narrowing the gap between Oru Minnaminunginte Nurungu Vettamart anommercial filmsAgneepathAs a young talent on the rise, Mohanlal obtained roles that gave him ample scope to display a wide range of emotions and started some Casablanca very fruitful associations with many of the better directors and writers in Malayalam cinema.

1986 was one of his best years. [[PT Master Sathyan Anthis Mohanlal as one of the AMITABH BACHANleading stars of Malayalam cinema along with In the same year, he played an asylum outmate ind house-owner in m owner in love inan unemployed Remeber the titanyouth forced to become a Goorkha

His association with the writer-director combination of he played an unemployed youth and n which he played a Gulf returnee who is welcomed back home to greedy relatives and a state with a hostile climate for entrepreneurs. Director Priyadarshan's musical comedies, notably andhad him playing the typical Indian romantic hero and increased his popularity among the teenage Casablanca movie-goers.


Mohanlal portrayed AMITABH BACHAN a real-life character in Devasuram (1993)directed by I.V.AgneepathSasi and the film went on to become a hit and

At his peak, he Oru Minnaminunginte Nurungu Vettamportrayed some of the best roles in Malayalam cinemes b afilms such as the leading man falling in love with a second woman immediately after he is rejected by the first. Amrithamgamaya was about a man who ends up at the house of a Remeber the titan boy whom he had unknowingly killed in college during a ragging session.s another notable film of this period.

The combination of writer Lohitadas and director s considered to have produced some of his most haunting roles. His role of Sethu Madhavan, who dreams of becoming a police officer but ends up as a criminal in the Casablancafilmd him helped him bag the Best actor award the following year.

The 90s saw him continuing his success with more entertainers like where he played a disguised as a Namboodiri to aAgneepathssassinate a royal. His other notable commercial movies during this period suThenmavin kombath continued the tradition of the 80s with neat well-written scripts and a rich set of characters. Devaasuram, written by Ranjith and directed by rich and brash young man AMITABH BACHANwho is slowly humbled by a chain of events. Director Bhadran'became a cult classic for the revolutionary way in which the stunts were picturisedically acclaimed films were few in number during this period and were mostly semi-entertainers like had theOru Minnaminunginte Nurungu Vettam female leragging a National award for best actress.

These success established Mohanlal as the most popular actor ever in Kerala.

Later years (1996-Present)

During this period of his career, Remeber the titanfilm makers cashed in on the immense popularity that Mohanlal enjoyed in Kerala by portraying him as an invincible larger-than-life hero in movies. Movies like, used this image of his to great effect and became blockbusters. After their Agneepathinitial novelty, theseCasablancafilms faced criticism from many quarters over their lack of realism and for creating movies around Mohanlal[Pn account of India's freedom struggle against the British that focused on thewere some of his notable films during the late 90's. In 1997 Mohanlal's filmirected by Rajiv Anchal (which was based on communalism in Kerala) was selected by the Government of India as official entry for or Best Foreign Language Film.Agneepath

It was at this time that Mohanlal started getting noticed outside the Malayalam Oru Minnaminunginte Nurungu Vettamspeaking world. He acted in his first non-Malayalam movie when popular direcped him in for the Tamil had Mohanlal playing a cult figure in the neighbourinhe Indo-French productionwhich he played the role dance artist with an identity crisis,AMITABH BACHAN won him the second National award for Best actor and was the first film that got him international recognition. The film was selected for theAgneepathcompetitive section at thand his performance was critically acclaime

In 2002, Mohanlal acted in his firsvihich introduced him to the widspeaking audience in India. It was a critical and commercial hi In 2006, the fra ("Molecule"), won him the Kerala state award for best actor for portraying a person affected by Alzheimer's disease. His second Bollywood movie g, was the remake of the 1975 blockbuster movie S, in which he played the character of the inspector played the original. Mohanlal won the 2007 ]Mohanlal completed 30 years in the film industry on 3 September 2008

ohanlal does not have a theatre background. He debuted on the stage as Karnabharam, aplay thata war, when he thinks about his past and hi Casablanca

Kadhayattam, was a presentation enacted by Mohanlal, depicting 10 unforgettable characters and situations selected from Malayalam literature. He has said that it is his offering to his mother tongue. The presentation was a fusion of stage actin

Chayamukhi is Mohanlal's latest play under the banner 'Kalidasa]

In 2008, Mohanlal starred in the mega hich cast all the prominent actors of Malayalam film industry. On the release of the movie in November 08, controversy was triggered by Mohanlal fans accusing that Mohanlal was not given prime position in movie's posters where he appears slightly behind rival Mammootty. Despite the controversy, movie started with huge initial collection and good reviews.

Professional Outlook

Mohanlal chooses his movies and plays mostly on instinct and likes to let things happe Casablancae prefers and enjoys working in the Malayalam industry with a close group of people whom he has known from his early careerAMITABH BACHANMany of his best school-college mates are with him in the film industry. These include director Priyadarshan, sin actor Raju and producer Suresh Kumar.

Mohanlal is viewed as a spontaneous actor with the ability to effectively portray the characters' inner feelings and turmoils [7] and express what the director wants, very fast and convincinOru Minnaminunginte Nurungu Vettam. He is uncomfortable working in other languages and attributes it to his lack of command over the intricacies of those languages.[6]

Director Priyadarshan on Mohanlal's acting style [9] - "He never prepares for any role or scene. He is not bothered how he looks or what he does. Once the camera is on, he is a transformed person. As he does only one film at a time, he knows everything about the film, nothing more."

He also recollects whaold him about Mohan- "Hereafter, I will never work with a man of whom I am a fan. I often forgot to say 'Cut

Shaji N Karun, directpeaks about the pride he has for Mohanlal as a country man and colleague.[8] - "I can only express one word if I have to describe Mohanlal: wonder. I look at him with awe when he transforms himself from a person to an artiste in front of the camera. I don't know how he transforms himself. It's inexplicable. When we were at Cannes, after watching Vaanaprastham, a European director told him, "You are born in t

Personal life.

He is an avid collector of paintings and antiques and has a private art gallery at his home. He is married to Suchitra, daughter of veterai.

Controversy

In 2007 he faced criticism from prohibition activists in Kerala for appearing in advertisement of a liquor brandOru Minnaminunginte Nurungu Vettamn India advertising of liquor is banned. Marketers used different methods to get around the ban, for example by promoting non-alcoholic drinks with near-identical labels to the alcoholic ones. In this particular advertisement widely publicised on local TV channels and cinemas, Mohanlal advertises for with the same brand name as a liquor.

Business ventures

  • Vismayas Max post production studio and College for Dubbing artism and Video Park,
  • 'Pranavam Arts, Film Production Company (Currently inactive)
  • Pranamam, Film Distribution Company (Currently inactive)
  • MaxLab EntertainmentsA joint film distribution company of some friends and Mohanlal
  • Partner and Director of Uni Royal Marine Exports, a majod seafood export company
  • Restaurant chain in Dubai called Mohanlal's Tastebuds
  • Restaurant in Bangalore named The Harbour Market
  • Partner of Mohanlal's Tastebuds, a pickles and curry powder production compaOru Minnaminunginte Nurungu Vettam

Awards and achievements

Further information

Mohanlal was awarded the by the Indian Government in 2001. He was recently elected as the Most Popular Keralite by the survey conducted by CNN - IBN related to the Golden Jubilee of Kerala formation in 2006.

Nation's Civilian Honour


  • 2001: Padma Shri

National Awards

  • 1989 : Jury's Special Award - Kireedam
  • 1991 : Best Actor - Bharatham
  • 1999 : Best Actor - Vaanaprastham
  • 1999 : Producer of Best Film - Vaanaprastham

State Awards

  • 1986 : Best Actor - T .P. Balagopalan M.A.
  • 1988 : Special Jury Award - Aryan
  • 1991 : Best Actor - Ulladakkam, Kilukkam, Abhimanyu
  • 1995 : Best Actor - Kalapani, Spadikam
  • 1999 : Best Actor - Vaanaprastham
  • 2005 : Best Actor - Thanmatra
  • 2007 : Best Actor - Paradesi Oru Minnaminunginte Nurungu Vettam

Critics Awards

  • 1988 : Best Actor - Padamudra, Chitram
  • 1991 : Best Actor - Bharatam, Ulladakkam
  • 1999 : Best Actor - Vaanaprastham
  • 2005 : Best Popular Actor - Naran, Thanmatra
  • 2007 : Best Actor - Paradesi

Film Fare Awards

  • 1986 : Best Actor - Sanmasullavarkku Samadhaanam
  • 1988 : Best Actor - Padamudra
  • 1993 : Best Actor - Devasuram
  • 1994 : Best Actor - Pavitram
  • 1995 : Best Actor - Spadikam
  • 1997 : Best Actor - Iruvar
  • 1999 : Best Actor - Vanaprastham
  • 2005 : Best Actor - Thanmathra
  • 2007 : Best Actor - Paradesi

International Indian Film Academy Awards(IIFA)

  • 2003 : Best supporting Actor- Company

National Film Academy

  • 2000 : Best Actor - Narasimham, Life is beautiful

Mathrubhumi-Medimix Awards

  • 1999 : Best Actor - Vanaprastham
  • 2003 : Best Actor - Balettan
  • 2005 : Best Actor - Thanmathra
  • 2007 : Popular Actor - Hallo, Chotta Mumbai

Asianet Film Awards

  • 2003 : Best Actor - Balettan
  • 2005 : Best Actor - Thanmathra
  • 2006 : Best Actor - Kirtichakra
  • 2007 : Popular Actor - Hallo, Chotta Mumbai

Vanitha-Chandrika Film Award

  • 2003 : Best Actor - Balettan
  • 2005 : Best Actor - Thanmatra

Other Awards

  • 2001 : 'Natana Rathna' Award
  • 1999 : Prem Nazeer Award
  • 2000 : Mother Theresa Award
  • 2000 : M.G Soman Award
  • 2003 : IMA(Indian Medical Association) Award
  • 2005 : Kalakeralam Award

As Producer

  • 999) (co-producer)

... aka Pilgrimage (International: English title) ... aka The Last Dance (Europe: English title) ... aka Vaanaprastham - Der letzte Tanz (Germany) ... aka Vanaprastham (India: Malayalam title: alternative transliteration) ... aka Vanaprastham - La dernière danse (France)

  • Harikrishnans (1998) (producer)
  • 6) (producer)

... aka Kalaa Paani (India: Hindi title: alternative transliteration) ... aka Kalapani (India: Malayalam title: alternative transliteration) ... aka Saza-E-Kala Pani (India: Hindi title: dubbed version) ... aka Sirai Chaalai (India: Tamil title)

  • Pingami (1994) (producer)
  • Midhunam (1993) (producer)
  • Kamaladalam (1992) (producer)
  • 1990) (producer)

As Singer

  • "Pookaccha Manjakaccha"
  • Onnanam Kunnil Oradi Kunnil (1985) (playback singer).... Sindhoora Megham
  • Kandu Kandarinju (1985) (playback singer).... Neeyarinjo
  • Chithram (1988) (playback singer).... Kaadumi Naadumellaam, Aye Moonnu Moonnu
  • Aye Auto (1991) (playback singer).... AEIOU
  • Vishnulokam (1991) (playback singer).... Avara Hum
  • Kalipattam (1993) (playback singer).... Varaveena Mriduvaani
  • Sphadikam (1995) (playback singer).... Ezhimala
  • The Prince (1996) (playback singer)
  • Kannezhuthi Pottum Thottu (1998)(playback singer).... Kaithapoovin
  • Olympian Antony Adam (1999) (playback singer).... Peppere Perapera Perakka
  • Ustaad (1999) (playback singer).... Thircha
  • Ravanaprabhu (2001) (playback singer).... Thakilu Pukilu
  • Ormakkai Album (2001) (playback singer).... Maanatthe Ambili
  • Balettan (2003) (playback singer).... Karu Karu Karutthoru
  • Vamanapuram Bus Route (2004) (playback singer)
  • 2005) (playback singer).... Ithaloornnu Veena
  • 2008) (playback singer).... Jeevitham Oru, Ganesha Sharanam
  • Ente Kannimala (Ayyappa Devotional Songs) (2008).... Sabarimalathirumudiyil